kateoplis:

Joel Sartore’s Rare: Portraits of America’s Endangered Species. previously

There’s some really ripe imagery in here. Downloading for later.

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PHOTO
PHOTO
bradofarrell:

knowyourmeme:

sinktoswim:

Happy St. Patrick’s Day
 
WHO ALL SEEN A LEPRECHAUN SAY YEAAAA



Best St Patty’s tradition ever. Where the gold at?
Where the gold at ringtone
via Wherethegoldat.com

bradofarrell:

knowyourmeme:

sinktoswim:

Happy St. Patrick’s Day

WHO ALL SEEN A LEPRECHAUN SAY YEAAAA

Best St Patty’s tradition ever. Where the gold at?

Where the gold at ringtone

via Wherethegoldat.com

karenabad:

(via karenabadmfa)

MFA in Cinematography - Kickstarter

I made a Kickstarter for my thesis because I honestly have no idea how I’m going to afford to finish. My thesis involves shooting 5 films in various mediums, some of which I’ve talked about on this blog. Each film I’ve shot so far has been averaging anywhere between $7,000-$12,000. I’ve been managing this so far by not sleeping (at all), doing an ungodly amount of freelancing, and support from my parents. I’m working on my last two films, and they are the two most expensive ones in the series (one is on 35mm).

So here’s the dealio, if you can afford to donate, I would be eternally grateful. Any amount helps, even if it’s just $1. The more you donate, the more perks (original pieces of the workprint, progress videos, a visit from me, etc.) you receive. I have until May 22, 2010 to raise $5,000. If I don’t reach that goal by then, I don’t get anything.

Thanks a lot! Donate (if you can), or spread the word, so maybe some generous passers by can donate to a creative cause.

For samples of my work visit: http://www.vimeo.com/KarenAbadFilms

For more information about this project, visit my Kickstarter page.

Shameless self-promotion. (Sorry) Please spread the word and share or help (if you can). Just think, if all (albeit highly unlikely) of my followers donated $1, I’d have already raised $2,232. <3 Smooches in advance.

Thanks Erika for being the hands in this video. Hee hee.

One of the most creative folks on Vimeo, and that’s saying a LOT. Donate!

(via awkwardstockphotos)
I am not embarrassed to admit that I&#8217;ll be having a beer around 3:30 today. I&#8217;m Irish and Hoosier, which means I take opportunities to drink in the afternoon as they come.

(via awkwardstockphotos)

I am not embarrassed to admit that I’ll be having a beer around 3:30 today. I’m Irish and Hoosier, which means I take opportunities to drink in the afternoon as they come.

Free stock footage

I have these bookmarked, and try to remember to visit at least once a week to farm new material. Stock footage is ripe.

Artbeats (free daily clip, HD)

Pond 5 (free weekly clip, HD)

Internet Archive (free clips, questionable quality)

VIDEO

If I Said You Had A Beautiful Body Would You Hold It Against Me

Straight audio from The Bellamy Brothers hit song, with some minor video spasms.

Quicktime | WMV | Mobile

azspot:

bartcop.com

This guy is the most politiciany politician I&#8217;ve ever heard.

azspot:

bartcop.com

This guy is the most politiciany politician I’ve ever heard.

[Flash 9 is required to listen to audio.]

magicmolly:

“This is a Romanian house song. It’s cheesy for the first minute or two but wait until the accordion drops. It’s so good. It makes me want to get aerobic.”

Eastern European dance music is where it’s at. I went to a Bulgarian dance hall a couple weekends ago and it was the smelliest fun I’ve ever had on a dance floor.

[Flash 10 is required to watch video.]

Brothers Quay - Dramolet (Stile Nacht I) 1988

Stephen and Timothy Quay conceived and shot Dramolet (1988), the first film in their multipart Still Nacht series, as a two-minute short for an MTV Art Break, after gaining fame for their work on Peter Gabriel’s wondrous “Sledgehammer” music video. The Quays shot the film on patchy, grainy stock, in deep chiaroscuro (to emulate the “gothic” aesthetic of the German expressionist films), with German-language credits opening and closing the piece, and a heavy, dark onslaught of foreboding organ music by Lzydor Hoffman on the soundtrack. Dramolet begins with a cracked and ragged puppet (with no hair and empty sockets for eyes) watching through the window of his cabin as a visual symphony of iron filings unfolds on the ground, the filings dancing around a magnet and eventually clustering atop it. The filings eventually materialize in the puppet’s soup bowl, as he sits at a wooden table with a metal spoon before him, and he studies them dancing and gyrating in his dish. Spoons then briefly emerge, en masse, from the wall behind the puppet, and the utensil on the table doubles, then blurs, and scuttles over several inches toward the puppet’s hand. As the film fades out and then back in for a second, the puppet begins to reach into his bowl. ~ Nathan Southern, All Movie Guide

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